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Aaran Art Gallery Apr 2015 Mona Aghababaee Liqid Chooses To Obey Gravity Rather Than Maintain Its From 03

مایع به جای حفظ کردن فرم از جاذبه تبعیت می کند*

مونا آقابابائی 

افتتاحیه 4 اردیبهشت 1394 الی 20 اردیبهشت

در حجم های ارگانیک خود، مونا آقابابائی فضاهای مثبت و منفی می سازد، و نتیجه آثاری هستند که نموداری از فضاهای ذهنی وی میباشند. در تلفیق مواد فرمهای انتزاعی پدید می آیند که مرزهای دریافت را به چالش می کشند. ذات آثار او رشته مسلسل ذهن اش هستند. فرمهای ارگانیک ساده وانتزاعي كه فراخوان پیوندهای فرمی هستند و مواد طبیعی که مجبور به تغییر شده اند و درعین عال رجوع به موجودات زنده اند

هنرمند می نویسد : اشیاء ،بیرون از من، به ظاهر در سکون. ساکت و منفعل. فاقد ذهنیت ولی حاضر در ذهن من. به آنها خیره می شوم ، تا بدانجا که به شکل آنها در می آیم ، بلعیده میشوم در چرخه ای متداوم، سردرگم و گیج تا مرز ابهام و واقعیت دوزیستانه

انگل ها در بدن مورچه موجودی ساخته اند که نه مورچه است و نه انگل. تخم انگل شکل و طعم غذا داشت و مورچه آن را بلعید و خود طعمه ی آن شد. مورچه کجاست؟ انگل چه شد؟ آیا واقعیت، خود این دگرگونی است؟  پوست سیاهی بر بدنی که از هم رهایی ندارند؟  پوست یا پوسته ای از تمنا که زاییده من و زاینده ی من اند؟ من کار میکنم؟ می نویسم؟ چرا می نویسم؟  مگر درون من چیست؟ .....میان من و دیگری گفت و گویی همیشگی هست که هر دویمان را فرسوده می کند. از آن شکل میگیریم و هم از آن زوال می پذیریم

*عنوان مجموعه بخشی از شعر "آب" فرانسیس پونژ

Solo exhibition of sculptures and drawings

Opening on 24.02.2015- closing 0n 10.05.2015

In her organic forms, Mona Aghababaee creates both positive and negative spaces, the created works are manifestation of spaces of her mind. She integrates materials and evokes abstract forms to challenge boundaries of perception. The essence of her sculptures are the continuum of her mind. Simple organic shapes evoke figurative links and natural materials are forced to change shape, while the forms are abstract, they refer to living forms. 

In the words of artist:

Objects, out of ourselves, seemingly quiescence, quite and passive; lacking subjectivity but ever present in my mind. I stare at these objects, to the point that I take their shape, I am swallowed, in a continuous spiral; perplexed and confounded to point of ambiguity, a hybrid reality. 

Parasites have changed the ant, it’s neither an ant nor a parasite. The eggs of the parasite tasted and looked like food and the ant swallowed it and it became the bait. Where is the ant? What of the parasite? This transmutation, is it the reality? 

….Between me and The Other, there is a consistent dialogue which erodes both of us. It molds us and is the source of our decadence…

نمایشگاه آثار " مونا آقا بابائی" با عنوان " مایع به جای حفظ کردن فرم از جاذبه تبعیت میکند " اردیبهشت 1394 گالری آران 

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More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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