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حافظه شخصی – بازتاب جمعی
نمایشگاه انفرادی ناصر بخشی
افتتاحیه 21 فروردین ماه 1394
ناصر بخشی هنرمند خودساخته ی است که به دور از هیاهوی پایتخت در شهر تبریز زندگی می کند. او با قراردادن بخش هائی ازخاظرات خود و قسمتی ازحافظه بصری جمعی مان، در جعبه هائی که از محله های دور افتاده تبریز گردآوری میکند، مجموعه حاضر را به نمایش می گذارد این اسمبلاژها کیفیتی غیرقطعی دارند و به نظر مخازن امنی هستند که دربرگیرنده مستندات بصری زندگی و زمانه این هنرمند هستند وشاید در آینده هنرمند با قراردادن خاطرات و دریافتهای جدید مجددا" به آنها بپردازد. قطعات پیش پا افتاده در کنار نقاشی ها و طراحی های خیره کننده در این کپسولهای زمان قرار می گیرند تا کیفیتی شاعرانه بیابند. جعبه هایی که دیگر به کار نمی آیند و اسباب و وسائلی که روزی رنگ و رونقی داشتند، با آرامی کنار هم قرار می گیرند تا قصه یک زندگی را زمزمه کنند. خصلت صادقانه این آثار حتی بیننده را تشویق می کنند که بخشی از زندگی خود را در این جعبه ها به امانت بگذارد
کیفیت کم نظیر نقاشی ها و طراحی ها، این آثار را به کلاسیک های امروزه تبدیل می کند. در کنار نقاشی هایی که از عکس کشیده شده اند و شبیه سازی واقعیت هستند ،طراحی ها که شبیه سازی چیزی هستند که هیچوقت نبوده، قرار می گیرند و آمیزش دو ژانر، وجه دیگری به هیجان و اعجاز جعبه می دهد با وجود اینکه نقاشی های بزرگ با قدرت و زیبائی خود به تنهائی قابل تامل هستند، ولی جدا کردنشان از جعبه ها دشوار است. نقاشی های اندازه بزرگ "جزییات " جعبه ها هستند، که بیرون آورده شده و برجسته شده اند، در حرکتی مخالف با دیدن با ذره بین، گوئی که هر نقاشی برای گفتن مونولوگی از جعبه بیرون آمده. جعبه ها ذخایری از تصاویر و عناصری هستند که آرزوها و آرمانها و همچنین شکستها و سردرگمی های سازنده خود را به تصویر می کشند. سازنده ی که یکی از میان ماست که یکی از میان بسیاریست
Accumulated Memories- Collective Reflections
Nasser Bakhshi
Opening on Friday 10th April 2015
In collaboration with Nader & Nader LLC.
Nasser Bakhshi is a self taught artist and lives far from the hustle and bustle of the Capital, in the wonderful land of Azerbaijan. He places his memories and bits of his soul and heart as well as our collective memories inside old boxes that he finds in forgotten corners of the city of Tabriz.
The assemblages have an indefinite quality. The boxes act as repositories, as if at a later time the artist will revisit these visual documentaries of his life and time, and will add his new memories and perceptions. The mundane objects next to the extraordinarily painted pieces create time capsules that are decidedly poetic. The discarded boxes and bits and pieces that were once beautiful and useful, are tenderly rearranged to whisper the story of a life. The intimate quality of these works tempt the viewer to open the boxes and drop pieces of their own life in to the mix.
The extraordinary quality of drawing and paintings create instant classics. Besides images painted from photographs as simulations of reality, the drawings are “simulation of something which never really existed”. The combination of the two genres adds to the excitement and marvel of the boxes.
While the large scale paintings stand on their own strength and beauty, it becomes increasingly difficult to separate them from the boxes. The large paintings are “details” of the paintings within the boxes; taken out of their place and accentuated, a reverse action of seeing with magnifying glass . They seem to come out of the boxes to deliver their own monologues. The boxes are accumulation of images and elements that artist lives with and they narrate the dreams and wishes, as well as failures and uncertainties of their creator; who is one of many, one of us, many of us.
نمایشگاه آثار " ناصر بخشی " با عنوان " حافظه شخصی - بازتاب جمعی " فروردین 1394 گالری آران
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Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.
