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ها مثل هویج . الف مثل اسلحه
صدای چسبش مدام به گوش شنیده میشود. یکی را می كَند. و دیگری را می چسباند. این حکایتی است که درفضای کارهایم به وفور رخ می دهد. فضایی که ارزشها در آن به بازی کشانده می شوند. کم میشوند، زیاد می شوند، کش می آیند و به ضربی پاره میشوند.
این خاصیتی است که به واسطه ی حاشیه گلدار ساخته میشود. حاشیه ای که ذهن را به سمت تمبر می کشاند و ساختاری منتقدانه و اجتماعی به کار می بخشد. قیمت گذاری می کند ارزش هایی را که به تفریح، گاه می سـازیمـشـان و گـاه تخریبـشان می کنـیـم و نـخ نـمـا که شـدنـد وصـلـه ای رویـشـان می کشـیـم.
وصله هایی که می چسبند تا جایگزین شوند و قبل از خود را باطل کنند و یا شاید مرمت کنند و عیبی را بپوشانند.
در تـئـوری من عـوامـلـی که هـمـدیـگـر را نـفـی می کنند "برای ایـجـاد عـاملـی ثانـویــه در مـعـنـا" در کنارهم می نشینند و حجم ها و کلاژگونه ها واسطه ای تصویری برای انتقال این استدلال شخصی هستند.
چالش معنا میان تصویر پایه ای و الحاقاتی که در لحظه آخر به کار چاشنی شده اند، خاصیتی پارادوکسیکال در آثار ایجاد کرده است که خوانش آثار را تا حد زیادی دو پهلو می کند.
به واسطه ی همین رویکردها است که بر آن شدم تا احمد شاه را به جای " گل" با "هویج" تزئین کنم.
سعید . م . نودهی
دیماه 1394
سعید . م . نودهی
متولد 1361، تهران، ايران
تحصيلات:_1390 کارشناسی ارشد نقاشی، دانشکده هنرو معماری تهران _1387 کارشناسی نقاشی، دانشکده هنرومعماری _عضو پیوسته انجمن نقاشان ایران
مدرس دانشگاه
نمایشگاه های انفرادی:
1392 "حاشیه گلدار"، گالری اعتماد، تهران، ايران
1390 "انگشتان مجازی"، گالری اعتماد، تهران، ايران _1388 "دگردیسی"، گالری اعتماد، تهران، ايران
منتخب نمایشگاه های گروهی:
1394 گالری اعتماد، تهران، ايران
1393 دومین حراج آثار تجسمی خیریه رعد، تهران، ايران
1393 "جهان پهلوان تختی"، گالری شیرین، تهران، ايران
1392 گالری پنجره، تهران، ايران
1392 "تاریخ بازی"، گالری اعتماد، تهران، ايران
1392 "وارونگی"، زیر زمین دستان، تهران، ايران
1392 "دیگری"، گالری شیرین، تهران، ايران
1392 "کـوکـا مشـهـدی"، گالری آرته، تهران، ايران
1392 گالری هور، تهران، ايران
1392 گالری ایگرگ، تهران، ايران
1392 "سال گشت"، گالری شیلا، تهران، ايران
1391 اولین سالانه خانه هنرمندان ایران، خانه هنرمندان، تهران، ايران
1391 دومین بازار نقاشی ایران، فرهنگستان هنر، خانه صبا، تهران، ايران _1390 "اتفاق"، گالری دی، تهران، ايران _1390 آثار دو مجموعه دار معروف، گالری گلستان، تهران، ايران _1390 نمایشگاه گروهی طراحی، انسان به سوی نیستی، گالری هور، تهران، ايران _1389 "پرتره 18*13"، گالری اعتماد، تهران، ايران _1389 گالری آپادانا، اصفهان، ايران_1389 پنجمین جشنواره هنرهای تجسمی هنر جوان، خانه صبا، تهران، ايران _1388 گالری ممیز، خانه هنرمندان ايران، تهران، ايران _1388 چهارمین دوره منتخب نسل نو، پردیس ملت، تهران، ايران _1387 دومین جشنواره طراحی معاصر ایران، موزه امام علی، تهران، ايران _1387 گالری آران، تهران، ايران _1387 اولین جشنواره هنرهای تجسمی فجر، موزه هنرهای معاصر، تهران، ايران
1387 چهارمین جشنواره هنرهای تجسمی هنر جوان، حوزه هنری، تهران، ايران
1387 سومین دوره منتخب نسل نو، فرهنگسرای نیاوران، تهران، ايران _1387 گالری لاله، تهران، ايران
“C” like Carrot. “W” like Weapon
The sound of glue is constantly heard. He cuts one out and glues the other. This is the story that very often happens in the environment of my work.
An environment in which values are played with. They are increased or decreased, stretched and torn apart in an instant.
This is a quality generated through floral borders. A border that guides the mind towards the stamps and gives a critical social structure to the work. It prices the values that we construct and deconstruct leisurely, the values we put a patch on when frayed.
Patches that are stuck to substitute or override a previous shape, or might repair and cover a defect.
In my theory, the elements that contradict each other, sit beside one another in order to “create a secondary element in meaning” and the volumes and collages are a means for transferring this personal reasoning.
The challenge of meaning between the preliminary image and the things attached in the last moments, gives a paradoxical quality to the work which makes its reading greatly ambiguous.
As a result of the said approach, I decided to decorate Ahmad Shah with carrots instead of flowers.
Saeed.M.Nodehi
January 2016
Saeed.M.Nodehi
Born in 1982, Tehran, Iran
Education:
2011 MA in Painting, Art & Architecture University, Tehran, Iran
2007 BA in Painting, Art &Architecture University, Tehran, Iran
Member of the Society of Iranian painters [SIP]
Teaching Art at the University of Applied Science & Azad University
Solo Exhibitions:
2014 “Floral Borders”, Etemad Gallery, Tehran, Iran
2011 “Virtual Fingers”, Etemad Gallery, Tehran, Iran
2009 “Metamorphosis”, Etemad Gallery, Tehran, Iran
Selected Group Exhibition in Iran:
2015 Etemad gallery, Tehran, Iran
2015 Raad Charity’s Second Visual Arts Auction, Tehran, Iran
2014 “Takhti”, Shirin Gallery, Tehran, Iran
2014 Panjereh Gallery, Tehran, Iran
2013 “History Game”, Etemad Gallery, Tehran, Iran
2013 “Inversion”, Dastan Basement, Tehran, Iran
2013 “The Others”, Shirin Gallery, Tehran, Iran
2013 “Coka Mashadi”, Arte Gallery, Tehran, Iran
2013 Hoor Gallery, Tehran, Iran
2013 Igreg Gallery, Tehran, Iran
2013 Sheila Gallery’s Third Anniversary, Tehran, Iran
2012 The First Painting & Sculpture Annual, Iranian Artists’ Forum, Tehran, Iran
2012 The Second Tehran Painting Market/ Saba Museum, Tehran, Iran
2012 “Events”, Day Gallery, Tehran, Iran
2011 “Art Works From Two Known Art Collectors”, Golestan Gallery, Tehran, Iran
2011 “Human towards Nullity”/ Hoor Gallery, Tehran, Iran
2011 “Portrait 13*18”, Etemad Gallery, Tehran, Iran
2011 Apadana Gallery, Esfahan, Iran
2011 The Fifth Young Art Visual Arts Festival, Saba Museum, Tehran, Iran
2009 Momayyez Gallery, Iranian Artists’ Forum, Tehran, Iran
2009 New Generation Selection/Fourth Course, Pardis Mellat, Tehran, Iran
2009 Second Contemporary Iran Drawing Festival, Imam Ali Museum, Tehran, Iran
2009 Aran Gallery, Tehran, Iran
2009 The First Fajr Visual Arts Festival/ Tehran Museum of Contemporary Arts, Tehran, Iran
2008 The Forth Young Art Visual Arts Festival, Saba Museum, Tehran, Iran
2008 New Generation Selection/ Third Course , Niavaran Cultural Center, Tehran, Iran
2008 Laleh Gallery, Tehran, Iran
...
Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.
