0 Likes
نقاشی هایی که به چیزی فراتر از فرم متکی باشند و در این روند ، از مصالحی عینی به شکل تکنیکی ، استفاده ای معنا محور داشته باشند . ایماژهای ساخته شده اما ، بر موج یک پرسپکتیو تک صدایی سوار شدند و در خلال این حرکت به خوانشی شاعرانه و گاه غافلگیرانه بدل شدند . تضاد در اینجا ، دستمایه و ابزارهمیشگی ساختن نقاشی هایست که تجربه ی توجه به محتوا در تقابل با فرم را در اولویت قرار داده اند و تمثیل های دو پهلو ، بیان تفاوتها و تمایزها ، تمهیدهایی برای وارونه کردن قالب ها برای رسیدن به معنایی هایی دیگر بودند. پ
در نقاشی ها، مهارت های تکنیکی و اصرار بر بازگشت به وجوه بنیادین شیوه های نقاشانه ی "کلاسیک، رمانتیک" و در عین حال رفتارهای دلالت یافته بر بینش فضای معاصر ، جوهره ی انفعالی آنها را زیر بار جذابیت های اجرایی و دقیق ، پنهان کرده اند . آثاری که عمدتا لایه های فیزیکی و استعاره آمیز را توامان در تعریف موقعیت های موجود در نظر دارند . لایه های معنایی اما ، معطوف به بیانی تکمیلی ، منطبق بر یک چیدمان استعاری هستند ، که هراس ها ، رنج ها ، بازی ها و نوستالژی های زیستن را یادآوری می کنند. پ
همگرایی دیگر ، استفاده از سوژه ی زن و صحبت درباره ی یک رویکرد و خودآگاهی فرهنگی تازه است . در اینجا نوعی تفکر انتزاعی تحول یافته در قالب تاثیرات محیطی ، نگرش ها و واقعیت ها مرور می شوند . در واقع ، یک همذات پنداری نا خودآگاهانه در مواجهه با نقاشی ها و انعکاس واقعیت های موجود در ذهن مخاطب شکل می گیرد . انعکاس ها و دریافتها ، کدهایی برای سنجش دوباره هستند . نشانه ها و کلاژهای معنایی با ارزش گذاری های مجدد ، جایگاه ها را به چالش می کشند و گاه بر دشواری و یا سادگی واقعیت پیش رو تاکید می کنند و این نگاه معرف ویژگی ذاتی و آرمانی نقاشیهای پیش روست. پ
سعید احمدزاده ، خرداد ماه ۱۳۹۵
The mere formation of this group was based on a common interest in creating dynamic and paradoxical situations. Creating paintings on a basis beyond sheer form, during which objective materials would technically be employed on conceptual foundation. images created, however were superimposed on a wave of monophonic perspectives and through this course underwent a metamorphosis into a poetical and sometimes surprising interpretation. Here the element of paradox is the omnipresent means to create paintings which put more emphasis on the experience of paying attention to the content versus form and double-sided metaphors, declaring distinctions and differences, arrangements for inverting forms to gain new meanings.
Technical skills and emphasis on returning to fundamentals of the classical and romantic painting styles, and the existence of behaviors with inferences to the vision of the present time, have hidden their passive nature under accurate and performance-based attractions. Works which often consider physical and allegorical layers at the same time, in defining existing situations. conceptual layers however are concerned with complementary statements based on a metaphorical arrangement which resemble fears, sufferings, games and the nostalgia of life.
Another instance of convergence is the employing of women subjects and discoursing about a new cultural approach and self-awareness. A new and evolved abstract thinking is reviewed herein, in the form of environmental effects, visions and realities. In fact an unconscious sense of identification is born within the mind of the audience upon facing the paintings and realities reflected therein. Reflections and perceptions are codes for a reevaluation. conceptual symbols and collages through new values, defy former arrangements, and sometimes emphasize the difficulty or simplicity of the present reality; this outlook is the definition of the core and ideal characteristic of these paintings.
Saeed Ahmadzadeh, June 2016
...
Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.
