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Shirin Art Gallery July 2024 Narenj Kazemi Zhavia 01
Tehran
نمایشگاه انفرادی آثار"نارنج کاظمی" با عنوان "ژاویا" تیر 1403 گالری شیرین

نارنج کاظمی متولد سال 1364 در تهران است و فارغ التحصیل رشته نقاشی در دانشگاه سوره است. او پس از اتمام دانشگاه، نقاشی رو به طور حرفه ای آغاز و در چندین نمایشگاه گروهی شرکت کرده است. 
این مجموعه دومین نمایش انفرادی اوست. دستمایه اصلی تابلوها نقوش الهام گرفته شده از فرش است. او فرش را نماد اصالت و فرهنگ ایران میداند اما در عین حال به جهت گریز از کلیشه، نقوش را با امضای خود تغییر داده است. 
برخالف مجموعه قبل رنگها پخته تر شده است و او علت این تفاوت را تغییرات خلق خوی خویش پس از فوت نزدیکترین فرد زندگی اش میداند. 
نارنج در این مجموعه جسارت به خرج داده است و به جهت غلبه بر کمال گرایی روی چند اثر خود رنگ پاشیده است. از او در باره این ساختارشکنی سوال کردم. میپرسم چه حسی داشتی؟ گفت: اولش خیلی سخت بود، با وسواس نقاشی هایم را میکشم اما پس از پاشیدن رنگ و تخریب اثر، حالم خوب شد. نارنج همچنین در تکمیل حرفهایش درباره این مجموعه اینگونه می گوید: در اين مجموعه، فرش ها حقيقتى تاريخى را متذكر مى شوند. همانطور كه مى دانيم حقيقت امرى ست وابسته به زمان. اما جاودانگى كيفيتى ست كه كميت تاريخ را شامل نمى شود. اين روند، چيزى جز تمسخرى دردناك، از جانب زمان بر جاودانگى نيست. انسان زاده مى شود، رشد مى كند، و در اوج كمال، با شوخى كوچكى همچون مرگ، به يكباره تمام مى شود. در چنين شرايطى كمال و زوال در يك رتبه، نه به دنبال هم، بلكه بر هم منطبق مى شوند. داستان به جايي ختم مى شود كه تراژدى، در غالب كمدى اتفاق مى افتد. در اينجا تاريخ از اثر جدا شده و در مرحله ى پوسيدگى جوانه مى زند. و از نو زاده مى شود. حال فرايند مرگ در خود اثر رخ مى دهد و غالب جديدى از زيبایی را مى آفريند. رنگی جدید برداشتم و با حالتی تهاجمی به روی تمام زحمات گذشته ام پاشیدم، دریافتم که این حرکت به ظاهر تخریبی، زیباست و الزم .. که مرا برای ساختنی آگاهانه و بودنی جدید در جهانی نو آماده می کند.

Narenj Kazemi was born in 1986 in Tehran and graduated with a degree in painting from Soore University. After finishing university, she began painting professionally and participated in several group exhibitions. This collection is her second solo exhibition. The main theme of the paintings is patterns inspired by carpets. She considers the carpet as a symbol of the authenticity and culture of Iran, but to avoid clichés, she has modified the patterns with her signature style. Unlike the previous collection, the colors have become more mature, and she attributes this difference to changes in her mood following the death of the closest person in her life. Narenj has taken bold steps in this collection, overcoming perfectionism by splattering paint on some of her works. I asked her about this unconventional approach. I asked, “How did it feel?” She said, “At first, it was very difficult. I paint my works meticulously, but after splattering paint and destroying the piece, I felt good.” Narenj also elaborated on this collection, saying: “In this collection, carpets remind us of a historical truth. As we know, truth is something dependent on time. But eternity is a quality that does not encompass the quantity of history. This process is nothing but a painful mockery by time of eternity. A human is born, grows, and at the peak of perfection, with a small joke like death, suddenly ends. In such a situation, perfection and decay are not consecutive but coincide. The story ends where tragedy occurs in the form of comedy. Here, history separates from the work and begins to sprout at the stage of decay. And is reborn. Now, the process of death occurs within the work itself, creating a new form of beauty. I picked up a new color and aggressively splattered it over all my past efforts. I realized that this seemingly destructive act is beautiful and necessary, preparing me for a conscious creation and a new existence in a new world.”

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Copyright: Majid Panahi Joo
Type: Spherical
Resolution: 12800x6400
Taken: 06/07/2024
送信日: 06/07/2024
Published: 06/07/2024
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Tags: narenj kazemi; zhavia; shirin art gallery; shirin partovi; iranian professional photographer; industrial photography; architectural photographer; commercial photography; vr photography iran; 360 degree photography iran
More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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