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پیش درآمد (پرلود)*
ماندن در دو راهی میان بازنمایی صرف و تفسیر فردی از هستی، موقعیتی انکشافی است که این موقعیت در مسیر پروژه.ی مدرنیته دچار کژی و اعوجاج می.گردد. بازنمایی به نحوی که در جایگاه واقعیت صوری پدیده.ها متجلی شود.، متنی است که در عین گشودگی به تفسیر از درون.، دایره.ای بسته خواهد بود که سویه.ی عقلانی و انتقادی را به اندازه.ی کافی درگیر نمی.کند و گویا تنها مرحله.ی عزیمت و آغاز است. در جهان کنونی با روند رشد ابزار.ها و روابط دیجیتال.، شاهد رئا لیسم محاکاتی در هنر معاصر ایران هستیم که حاصل آن نوعی سهل اندیشی و باز تولید نظریه.ها و سلایق تکرار.شده در تجربه.ی جهانی می.باشد.
نشانه.هایی مانند اعوجاج در بازنمایی تصاویر شاخص تاریخ هنر و فضای رمانتیک آثار علی یحیایی گویا بینا متنی در کنایه به شرایط معاصر هنر ایران را هدف گرفته است که فارق از دست یازی به فیلتر.های نرم افزاری با عکاسی از آیینه.های معوج از پشت شیشه.های آغشته به روغن و چسب شکل گرفته.اند. به واقع تنها آگاهی از مقصد نیست که ما را از منزل فعلی خود حرکت می.دهد بلکه فهم فاصله و حرکت پیوسته است که می.تواند پیش درآمدی باشد، در جهت امیدواری رسیدن به تعالی و مقصد..
جاوید رمضانی
*پرلود یک ساخته.ی موسیقایی است که اغلب کوتاه و عموما قبل از یک قطعه.ی طولانی دیگر نواخته می.شود.
Prelude
There is a delima in between a sheer representation and personalized interpretation of existence, an expeditionary circumstances which ,en route toward modernity project are getting distorted. As Representation to be manifested like a formal situation for phenomenon s,open to any kind of interpretation,it is an enclosed circle from within and lack of critical and rational engagement as well, as if it’s only a departure or pivotal point.
In contemporary world with an increasing numbers for tools and digitized relationships we are witnessing a monstrous mimetic realism leaning, in our art soil which is a naive to any end that are reiterating and reproducing means in global sense for both theories and taste as well.
Indications like distortions in order to representing prominent images of art history and romanticizing spaces in Ali works are intertextually criticizing contemporary state of art in today’s Iran, far from coding filtered images in accompanied with shooting distorted mirrors with oily and gluey themes.
In fact, just an awareness towards destination in not moving enough, but continuity in run and understanding distances are means for introducing a path to thrive and contemplation.
Javid Ramezanie
*A prelude is a short piece of music, the form of which may vary from piece to piece. The prelude may be thought of as a preface. For example, it may have served as introduction to succeeding movement of a work that was usually longer and more complex.
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Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.